Fundamentals of Framing
The framing process may seem daunting considering the various factors involved. Often when someone has something they’d like to be framed, they will bring it in with an idea in mind of how they would like to see it presented. It then falls to the framer, to help the client with frame and mat selections for any given piece of artwork. Our staff have exceptional training and knowledge in both design elements and proper care necessary for the protection of the piece. While one’s aesthetic may differ from another’s, the fundamentals of structure and design are evident with the finalized product.
The medium and substrate of the piece to be framed are considered first. Its condition, size and weight are also contributing factors. The colors and subject matter of a piece will inform its design treatment. A vibrant woodblock print will warrant a different approach than a metallic concert poster, but both hold significant importance to their respective owners and should be handled and cared for with this in mind. Personal preference influences color selection relative to an item to be framed. A frame or matboard is selected with a tone, hue and value to compliment the piece. Neither a matboard nor a frame should supersede, dominate or otherwise come in conflict with the piece being presented.
The frame is the obvious edge of a piece’s protective treatment. Foundationally it is the protective border surrounding the work it holds. A mat is incorporated primarily for works on paper such as a drawing, watercolor or photograph. The mat raises the glazing off of the surface of the piece creating a “dead air” space to isolate the surface. This deters the formation of “foxing” and other problems that may damage the artwork. Various forms of glazing are available both in glass and acrylic. Glass is used on smaller to medium sized work, up to 32” x 40”. Acrylic is used on larger pieces or on work where weight or potential risk of breakage are considerations. The shop generally recommends museum quality products. Discussions of these and other variables are discussed at the sales counter. A rigid backer, dust cover and proper hanging hardware ensures the safety of the piece. All of these components, as well as other variations beyond the scope of this outline, assure that the piece is handled properly and safely. This isolates the piece from outside influences, protecting it while presenting it tastefully.
Consideration of the needs of each individual piece is forefront throughout the framing process. This assures that the piece is handled, stored and presented without alteration to the work. Whatever is done to the piece can also be undone, maintaining the piece’s integrity. Typically flat files are used to store in-process pieces. This will allow the piece to relax before assembly. The pieces are supported on an acid-free board to allow the work to be safely moved. The work is catalogued both before and after treatment ensuring a safe environment for the artwork and a record of it throughout the various stages of the framing process.
The work delivered is of high value using quality materials and expert handling in the completion of a product that will remain stable for years to come.
